KLAUS ZIMMER 31.3.1928 – 10.11.2007
When a friend and colleague crosses the final frontier from life to
death then memories, acknowledgements, perhaps even regrets, infiltrate
the consciousness of those that remain. Assisting that celebration of
Klaus’ 79 years of achievements is the ‘must-read’240 page biography
published by McMillan Press in 2000 AD. It features “an introduction by
Johannes Schreiter, essays by Geoffrey Edwards, Patrick Hutchings, Alex
Selenitsch, Caroline Swash, Jenny Zimmer and a memoir by the artist.”
Outlined therein is a fascinating odyssey of a 24 year old migrant from
his native Germany to Australia in 1952, his excursions to South Sea
Islands and his gradual rise, starting about 35 years ago, to rank with
the pioneering international ‘movers and shakers’ of the Stained Glass
fraternity. His many commissions, such as the 19 windows and 30
miniatures for St Michael’s Church in Melbourne in 1988, revive
world-weary souls that visit that sanctified oasis. His numerous
autonomous panels, often highly textural interplays of coloured glass
and metal attest to conceptual maturity and material sensitivity that
extend greatly the traditional ‘language’ of Klaus’ European Stained
Glass heritage. Supplementing his visual creative outpourings was his
eloquence in word and letter and thought that together are so essential
for motivating his students, for justifying his commissions’ symbolisms
to perhaps-sceptical clients, and for enriching friendships. Those
admirable, ever-present traits surfaced in Klaus’ introductory welcome
to the 1981 2nd Ausglass Conference held at the then Caulfield Institute
of Technology in his capacity as founding lecturer of its Glass
programme. With co-organiser Jenny Zimmer, he toured Europe with the
first exhibition of contemporary Australian and New Zealand glass in
1984. The year 1996 saw Klaus ably debating the Glasmuseum expansions
at Ebeltoft (Denmark) with luminaries Lynggaard, Littleton, Fujita and
Myers. In his last years Klaus sought a quiet retirement in Adelaide
and at his country retreat with his partner Ingrid, yet he still
energetically completed a major commission for St Patrick’s Cathedral in
Parramatta, NSW, in 2005. His innovative strength was undiminished as
evidenced by his last extensive series of fresh-visioned new sketches
shown to this writer two months ago, which Klaus realised would require
another lifetime to consummate.
His recent departure is regretted.
His enduring legacy is treasured.
His many honours are deserved.
Stephen Skillitzi